Enrico Michieletto's works are an expression of marked irony and ambiguity, ranging from painting to installation and blending, through photography, into evocative scale plastic creations. After the creation of the works, which often consist of hundreds of modules, the artist photographs them to present them in exhibition spaces that are difficult to identify as "fake". Michieletto loves to play with the true and the false, to the point of using images as metaphors, often accompanied by ambiguous and transgressive titles. The main pictorial projects arise from the artist's need to highlight the social discomfort, now widespread everywhere.